Some of the best humor in the movie comes not from the dialogue, nor the onscreen actions, but solely from Wiig's slightly wry, slightly pained delivery of lines that are not, by themselves, overtly funny. If nothing else, the movie would thus lose the starring performance of Kristen Wiig, who also co-wrote the screenplay with Annie Mumolo and while Bridesmaids might be able to survive the transition to a cast of the usual fratboys (though despite what I just suggested, I'm not actually sure that it could), it unquestionably could not survive the loss of Wiig. Female lead, male lead, lead that's a purple alien with no sex at all, that would still be the case. These are valid and important issues, but they are none of them as significant as the fact that Bridesmaids is something even rarer than an American film with a woman as protagonist: an American film comedy that is absolutely and genuinely funny.
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That may be sexist, but there you are.There's a lot of interesting chatter out there about the sociological status of Bridesmaids, a film that looks to have finally cracked the seemingly insurmountable wall of "Guys won't see movies about girls", and that represents a massive sea-change in the output of the Judd Apatow Filmmakers Circle, which has for the first time released a picture with not just one but lots of strong female characters. It heals some wounds, restores some hurt feelings, confesses some secrets, and in general, ends happily, which is just as well, because although there are many things audiences will accept from women in a comedy, ending miserably is not one of them. In these day when you can get arrested on a plane for taking out your car keys, her behavior is a throwback to the good old days of airborne slapstick. I don't even want to start describing what happens. Wiig's behavior on the flight to Vegas would win the respect of Lucille Ball. And it moves into areas not available to men, for example the scene when they're all trying on dresses at a bridal shop and the lunch they've just shared suddenly reappears, if you get my drift. It definitively proves that women are the equal of men in vulgarity, sexual frankness, lust, vulnerability, overdrinking and insecurity. They include Rita ( Wendi McLendon-Covey), a mother of three adolescent sons ("My house is covered in semen"), and (my favorite) Megan ( Melissa McCarthy), who has the sturdiness and the certainty of a fireplug.ĭid I mention the movie was produced by Apatow? Love him or not, he's consistently involved with movies that connect with audiences, and "Bridesmaids" seems to be a more or less deliberate attempt to cross the Chick Flick with the Raunch Comedy. The movie does a good job of introducing a large cast and in particular keeping all the members of the bridal party in play.
This leads finally to Annie's explosion at a bizarre French-themed bridal shower with an item of pastry that would strike even an editor of the Guinness Book of World Records as, well, excessive. It's not that she's trying to steal Annie's thunder, it's just that she can't comprehend that she isn't running the wedding.
Helen is one of those people who at birth was placed in charge of everything for everyone. Naturally, she expects to be maid of honor, but begins to fear a rival in Helen ( Rose Byrne), the rich and overconfident trophy wife of the groom's boss. Wiig plays Annie, whose Milwaukee bakery shop has just gone bust, who rooms with a surpassingly peculiar British brother and sister, and whose longtime friend, Lillian ( Maya Rudolph), is getting married.